JOEY SMOKES – I’m Not Ready ( Official Radio Version Release )

What makes a certain song work? Certainly it’s more than just the coming together of the chords, instruments and vocals. It has to involve something which we call the ‘truth.’ Hearing “I’m Not Ready” for the first time by Joey Smokes, you get that feeling right away that everything about this track works. From the slow guitar intro up to the pounding chorus, this rock ballad takes you back to the days when music was played in a raw and honest way.

The visceral lines “I am not ready to go” feels like a pendulum swinging until it reaches the point where the emotions tip the balance and everything is pure release.

Joey Smokes


Music Theory-by Layne Greene(Essay)


Our guest blogger is Layne Greene from Nova Scotia. He is in the process of recording a new EP with his new band line up. He has remarkable insights about music and we got a taste of one of those today.

Layne Greene writes an interesting essay about creating a sense of balance between musical theory and practice.

When Baxter asked me to write an essay I wasn’t really sure what to write about. My first thoughts were to write a bit about my approach to mixing and recording in general, but that’s a subject of volumes not a single essay. After a few days of mulling it over I decided that I would approach an argument that I see floating around a lot especially among guitarists.

What I’ll be talking about in this brief essay is my views on Music Theory and it’s practical applications as a composer/guitarist. The argument (for those of you who have somehow avoided seeing it around) is that music theory is useless and makes your playing mechanical and uninspired. I’m going to make it clear from the start that I whole-heartedly disagree with this viewpoint.

First off, theory is NOT a set of rules as people seem to think, it’s a language and like any language there are rules in how you write it and how to read it. You probably aren’t reading this sentence from right to left, and you’re probably not reading it upside down. That said, if you really wanted to you could probably do both of those things at the same time, and if you understand what I’ve written who’s to say that you’re doing it wrong? Theory is very much the same in this regard, there are conventions that as a community musicians need to agree upon, however theory isn’t always the right answer, sometimes you need to write things in an unconventional way, or play notes that aren’t really “right”. Nowhere in my studies thus far have I ever been told that I could not do something. I’ve been told fairly often that maybe I should take a different approach to some things, or that I’m not being the most efficient or effective, but never wrong.

Second, the arguments that “theory limits creativity” or that “theory doesn’t count for soul” have never really resonated with me. My experience with people who insist on these things is that they usually either haven’t taken the time to learn theory or that they’ve tried and they just don’t understand it. I’ve never heard someone say they regret learning to read music, or once they’ve learned some theory that they are a worse player for it. If anything understanding some theory lets you break away from limits that you place on your playing from not understanding. So many people are afraid of playing wrong notes that they always play it safe, where if they would expand their understanding a bit they could easily resolve a lot of “wrong” notes in interesting ways. When I’m recording guitar tracks my favorite ones are always the ones where I play “bad” notes by accident and manage to recover and build an idea around that note.

As a final point, if ever picking between two musicians to work with I’ll always pick the one who I can talk to about chords or harmony. I find nothing more frustrating than trying to work with a musician that I can’t talk to in musical terms. I think playing by ear and blindly going into passages is fine sometimes, and you can get some really great things happening in the music that way, but there needs to be a balance and theory is one way of being more prepared when you find yourself in unexpected situations.

I think it’s important for guitarists to stop hiding from theory and to really embrace what it can do for their playing. All that most people need is the basics to make music feel more accessible to them.



More here:

Glen Hansard debuts a new song called “The Gift”in the upcoming film The Odd Life of Timothy Green

It was my friend Layne who turned me into a Glen Hansard fan. This song sealed everything. This Gift is so beautiful and this is our conversation about it. Here is the link where you can listen to the new song by Glen Hansard:—this-gift.html

Me: This song is so beautiful it makes me teary eyed. It is soaring..So epic and poetic. For a guy who can make chord structures like that, and then sing with so much feeling; not to mention create a song that’s haunting, beautiful and’s just wow. He and Merketa are quite a pair..Two talented people.

Layne: I think that all songwriters could learn a lot about simplicity from Glen.

Me: Simplicity is timeless.

Layne: He exemplifies the power of simplicity in every possible way.

Me: Yes he does. He strips the pretensions.

Layne: Anytime I try and start writing songs around complicated chord structures, I go and listen to Glen and go back to more basic stuff. It always frustrates me how much he can get out of 2 or 3 chords. But I guess his music isn’t really about the chords.